I’m not one for making resolutions, but I do know that I’ll be painting a lot in the coming months, as I have a September show scheduled at Archival Gallery in Sacramento CA. I’ll be showing paintings alongside work by Laureen Landau, which I really couldn’t be looking forward to more.
The last few years, I’ve been working in a different manner. From the time I first started painting until recently, I made detailed graphite or ink studies for my work. There came a time when although I was making good paintings that I liked, they weren’t the paintings I wanted to make. I needed a change. It’s important to me that my finished work not come too easily, so I stopped keeping a sketchbook and replaced it with a notebook. I write ideas and notes for pieces, occasionally doing a rough thumbnail sketch. These notes may include compositional ideas, a list of collage material to compile, prospective titles, concepts to research, reference points, et al. It’s a more open-ended process than I’m used to, and it’s been challenging and engaging in a way that painting hasn’t been for some time.
I’ve also recently done some mixed-media construction work, of which I’ve done very little in the past. Artistically, this put me in foreign territory, which I enjoyed. Besides being satisfying in themselves, these pieces have opened up possibilities for my painting.
I have confidence in my ability to draw and to paint, so my artistic ambitions lie beyond that. My goal is to make work that is compelling on multiple levels. Of course, I want my paintings to work in purely formal/aesthetic terms. In addition, although I generally play it pretty close to the chest as to what my work is “about” – much of my symbolism being personal – the work should elicit some response: emotional, intellectual, physical. I hope it’s apparent that the work is thoughtful and conceptually layered, even if the viewer is very unlikely to decode my singular vocabulary.
So, in 2020, I will present a strong show of work with which I am satisfied not only as a viewer, but as the painter. I’ll see you in September, after which I’ll resolve to get some sleep.