Andy Monument

Corey Okada visits the Warhol exhibit at SFMOMA
At Andy Warhol: From A to B and Back Again, SFMOMA (2019).

This past summer, I twice saw Andy Warhol: From A to B and Back Again at the SFMOMA. Despite the negative and sometimes downright nasty press Warhol still sometimes receives, the repercussions from his work continue to run rampant through contemporary art, over 30 years after his death in 1987.

Roy Lichtenstein once said that, upon seeing Warhol’s silkscreen paintings in the early 1960s, he felt very old-fashioned. This from a guy whose work was so aggressively avant that Life Magazine once asked “Is He the Worst Artist in the U.S.?” Even now, Warhol’s oeuvre makes still-wet paintings by Young Turks seem old-fashioned. 

Warhol has been a favorite of mine since I was a teenager, and although it may not be readily apparent, he and other Pop artists have had a big impact on how I approach my own work. I admire his sharp eye and conceptually-minded bent. He also remained artistically adventurous until the end, when he produced a series of self-portraits which I consider to be among the most powerful ever made. We haven’t seen the last of his wide-reaching influence – not only on art, but on culture in general.

“The mystery was gone but the amazement was just starting.” – Andy Warhol

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