Like a lot of people, I haven’t been leaving home much the last two or three months. Fortunately, I have had things to keep myself busy, not the least of which has been working on a show (now tentatively scheduled for November 2020). I also have no lack of books and music lying around; I can always watch Citizen Kane, Don’t Look Back, or Rear Window; there’s always Jeopardy! and reruns of Murphy Brown.
Theoretically, it’s been ideal for me – I’m at home, have a lot of time to paint and next to no obligations outside my four walls. However, for someone who even under normal circumstances spends a lot of time at home, I do miss going out. Different environments allow my mind to go in different directions; I’m often writing notes for prospective paintings while at a café or the laundromat, ideas often coalesce while I’m just walking around. As much as my painting reflects my interior life, the world outside also contributes to how I work. So, while I’ve had more time to paint, my process has been disrupted. Add this to the stress and general sense of dread I’ve felt during this time – I wouldn’t say I’ve been depressed, but I haven’t been sleeping well, an emotional toll has definitely been taken – and I’ve probably not done much more work than I would have ordinarily, despite having had quite a bit more time to do it.
Often, when I start working on a show, people will ask if I have a theme. I never do, although after I’ve finished several pieces, a through line which links at least some of the work will often present itself. This has not happened – I believe my thought process has been more disjointed, less fluid; as a result, working on one piece hasn’t led directly to an idea for another, as is usually the case.
What affect this will have on the finished show has yet to be seen. We’ll find out together.